Joseph Heller was an American writer of satirical novels, short stories and plays. Although he wrote several acclaimed novels, his reputation rests firmly on his masterpiece, the great American anti-war satire, Catch Ernest Hemingway was a novelist, short story writer, and journalist. He published seven novels, six short story collections, and two non-fiction works, and won the Nobel Prize for Literature in Raymond Chandler was a British-American novelist who wrote several screenplays and short stories.
He published seven novels during his lifetime. The first, The Big Sleep, was published in An eighth, Poodle Springs , unfinished at his death, was completed by another great crime writer, Robert B Parker. Her most famous novel is the novel, Bel oved. Vladi mir Vladimirovich Nabokov was a Russian-American novelist, and also a famous entomologist, specialising in butterflies, a topic on which he wrote several academic books.
Her reputation is based mainly on her short stories.
She was a Southern writer and relied heavily on regional settings and typically southern characters. John Ernst Steinbeck was the author of 16 novels and various other works, including five short story collections. John Updike was a novelist, short story writer and poet.
He was also a literary and art critic. Kurt Vonnegut was an American writer who published fourteen novels, three short story collections, five plays, and five works of non-fiction. Silly, silly list. Chandler, Vonnegut, Updike, Steinbeck? Are you serious? This list consists of 17 men and 3 women. Toni Morrison is the only person of color on this list.
In this post, we share 20 unforgettable quotes about short stories. ~Annie Proulx; If you look at my last songs and first short stories, there is a. Put the pen down and and find new inspiration with famous quotes about writing from some of your favorite authors including Stephen King, Ernest Hemingway.
May I suggest whoever wrote this broden their literary horizons? Should be 18 men and 2 women. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Scott Fitzgerald — Francis Scott Fitzgerald was an American novelist, widely regarded as one of the greatest, if not the greatest, American writers of the 20th century. Please take a moment to review this content! Readers Rating Rated 3. Your Rating. Thomas Wolfe,,, none better. John Barth Reply. No Asian Americans?
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Total: 90 0 20 0 32 14 Share. Iambic pentameter definition How to write a sonnet. Send this to a friend Your email Recipient email Send Cancel. Hemingway believed each word was a brush stroke on the page.
He used few adjectives. His prose is full of action, not decor, and so when an occasional bit of color is revealed, it fills in the whole image. The good news is, Hemingway had lots of advice for other writers. Which of his tips will you try in your writing next? You have always written before and you will write now. The blue-backed notebooks, the two pencils and the pencil sharpener a pocket knife was too wasteful , the marble topped tables, the smell of early morning, sweeping out and mopping, and luck were all you needed.
Write the truest sentence that you know. It was easy then because there was always one true sentence that I knew or had seen or had heard someone say. If I started to write elaborately, or like someone introducing or presenting something, I found that I could cut that scrollwork or ornament out and throw it away and start with the first true simple declarative sentence I had written.
It was in that room too that I learned not to think about anything that I was writing from the time I stopped writing until I started again the next day. That way my subconscious would be working on it and at the same time I would be listening to other people and noticing everything.
Ernest Hemingway to F. Scott Fitzgerald:.
Up in that room I decided that I would write one story about each thing that I knew about. I was trying to do this all the time I was writing, and it was good and severe discipline. I was learning very much from him but I was not articulate enough to explain it to anyone. Besides it was a secret. This book began magnificently, went on very well for a long way with great stretches of great brilliance and then went on endlessly in repetitions that a more conscientious and less lazy writer would have put in the waste basket. It was necessary to get exercise, to be tired in the body, and it was very good to make love with whom you loved.
That was better than anything. But afterwards, when you were empty, it was necessary to read in order not to think or worry about your work until you could do it again. I had learned already never to empty the well of my writing, but always to stop when there was still something there in the deep part of the well, and let it refill at night from the springs that fed it.
When I was writing, it was necessary for me to read after I had written. If you kept thinking about it, you would lose the thing that you were writing before you could go on with it the next day. When I had to write it, then it would be the only thing to do and there would be no choice. Let the pressure build. In the meantime I would write a long story about whatever I knew best.
What did I know best that I had not written about and lost? What did I know about truly and care for the most? There was no choice at all. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood. All I must do now was stay sound and good in my head until morning when I would start to work again.
Scott Fitzgerald] had the shyness about it that all non-conceited writers have when they have done something very fine. Scott Fitzgerald] had told me at the Closerie des Lilas how he wrote what he thought were good stories, and which really were good stories for the Post , and then changed them for submission, knowing exactly how he must make the twists that made them into salable magazine stories. I had been shocked at this and I said I thought it was whoring….
I said that I did not believe anyone could write any way except the very best he could write without destroying his talent.
Since I had started to break down all my writing and get rid of all facility and try to make instead of describe, writing had been wonderful to do. But it was very difficult, and I did not know how I would ever write anything as long as a novel.
It often took me a full morning of work to write a paragraph. I was getting tired of the literary life, if this was the literary life that I was leading, and already I missed not working and I felt the death loneliness that comes at the end of every day that is wasted in your life. After writing a story I was always empty and both sad and happy, as though I had made love, and I was sure this was a very good story although I would not know truly how good until I read it over the next day. That means it is like a picture that a painter paints and then he cannot hang it when he has a show and nobody will buy it because they cannot hang it either.